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Review: A Black Fox Running

A Black Fox Running A Black Fox Running by Brian Carter
My rating: 3 of 5 stars

Wulfgar, the dark-furred fox roamed far and wide over the wilds of Dartmoor. He spoke with other foxes, conversed with otters by the rivers and exchanged greetings with the badgers at dusk. He was happy with his lot, had managed to escape the relentless pursuit of the hunt, and had now found the love of his life, Teg. But life was not going to be easy for the pair. The man trying to catch him was Scoble, an ex-veteran from the war with a drink problem. His streak of cruelness and with the assistance of his dog, Jacko, they had it in for the foxes in particular, as well as wildlife in general with their traps, gins and snares.

The talking animals makes this feel like a children’s book, but the scenes within are not. The is as much about death as it is about living life and is as full of the tangled emotions that go to make this up. Carter’s lyrical writing has an intensity to it, you feel the wind ruffle the fur, understand the smells of the night as they track their prey and share the euphoria of being alive racing across the Tors. The writing is firmly grounded in the granite bedrock of Dartmoor and he brings the natural world alive to the reader. This re-published edition has a stunning cover, with a beautiful introduction by Melissa Harrison on how it inspired her to become a writer. 3.5 stars

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Review: The Know-It-Alls: The Rise of Silicon Valley as a Political Powerhouse and Social Wrecking Ball

The Know-It-Alls: The Rise of Silicon Valley as a Political Powerhouse and Social Wrecking Ball The Know-It-Alls: The Rise of Silicon Valley as a Political Powerhouse and Social Wrecking Ball by Noam Cohen
My rating: 3 of 5 stars

Where would you be without the internet? You are reading this review on a device of some kind, and if you are like most people then you will have shopped recently on it, chatted with someone on a social website, done a little research, and faffed around quite a lot no doubt. It is now one of life’s essentials along with power and water, and if you have teenagers then you know for them it is their lifeblood.

There are a number of people who have been in the driving of this profound change to the way that society functions now, Berners-Lee was the man who created the world wide web that sits on the internet, but this book is concerned with some of the greatest entrepreneurs who have made their mark in cyberspace and the world.

There is a chapter with an interesting profile of eleven of the most influential individuals who have shaped the web that we use today, including Jeff Bezos of Amazon, Sergey Brin and Larry Page of Google, Reid Hoffman of LinkedIn and Mark Zuckerberg of Facebook as well as one of the first, Marc Andreessen creator of Netscape (remember that?). They have all become rich from their creations, but though the money is important to these men, and they are all men, , they are driven by the desire to be number one in their sphere and to form the world around them as they see fit, demanding that freedom of speech and individuality should have precedence over regulations and laws. As much as these men dislike and abhor oversight and control of big government, the way that they run the companies is not dissimilar to that of a dictatorship.

These websites now rule our lives, they have permeated our lives in so many ways and we now rely on them. They have countless reams data acquired from us legitimately and surreptitiously, as with a lot of these you are the product. Given the continued fallout from the Cambridge Analytical and Facebook, this is a subject that will have a keener eye turned on it in the coming months. I thought that the conclusion was very sparse as he could have been much more critical of the major players. It could have also had more to say about the future of the web, for example, what happens after Google? However, it was an interesting start to a conversation that has a long way to go.

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Review: Hampshire: Through Writers Eyes

Hampshire: Through Writers Eyes Hampshire: Through Writers Eyes by Alastair Langlands
My rating: 3 of 5 stars

A copy of this was provided free of charge from the publisher in return for an honest review.

The first instance of the name Hamtunscir appeared in the 8th century, but there has been a human presence in the county of Hampshire since around 12,000 BC when we were still part of the European continent until the sea level rose and we became separate. Since then traces of the people of the Mesolithic, Neolithic and Bronze age have been found. The Iron age brought hill-forts and stability to the region and then 2000 odd years ago the Romans arrived and overlaid their rule on the existing peoples. The county’s long and fascinating history is reflected in the way that writers have used it as a source of material and inspiration through the ages.

There are chapters on the three main towns of the county, the ancient capital Winchester, where the rivers meet the sea in Southampton and the naval port of Portsmouth and the authors, poetry and prose that have emanated from these places. But Hampshire is more than a coastal county, there is the 1000-year-old New Forest, seized from the locals by William the Conqueror as a personal hunting ground; it has almost all the world’s chalk streams that flow from the downs that cross the country.

Langlands has scoured books and manuscripts to bring the very best of Hampshire writers and writing. There are the people that you’d expect, Jane Austen and Gilbert White as well as a raft of others including Wodehouse, Doyle and even Hardy who had ventured out of Dorset. The subject matter is wide-ranging too, people and places feature heavily as you’d expect, but there are musings on cricket, churches, fishing, war, Basingstoke and of course natural history. My favourite chapters were titled Hinterland and The New Forest and the one on Chalk Streams and Cricketers as well as the one on Gilbert White were equally fascinating. I have lived either side of Hampshire, first in Surrey and now in Dorset, both times fairly close to the county border, travelled through it many times and know parts of it fairly well. This is an interesting collection of writings from those that have had some association or made their livelihoods from the county and is a worthy addition to the Eland Through Writers’ Eyes series.

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International Dylan Thomas Prize #IDTP18

The Swansea University International Dylan Thomas Prize announced its 10th tenth shortlist shortly after midnight this morning. It is one of the UK’s most prestigious literary prizes as well as the world’s largest literary prize for young writers and is a commemoration of Dylan Thomas the celebrated Welsh poet who passed away 65 years ago. Seeking to find the very best in international fiction the prize is awared to an author under the age of 39. 

The prize is worth a cool £30,000 to one of these six shortlisted books:


 Kayo Chingonyi (Zambia)

Kumukanda (Vintage – Chatto & Windus

Translating as ‘initiation’, kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi’s remarkable debut explore this passage: between two worlds, ancestral and contemporary; between the living and the dead; between the gulf of who he is and how he is perceived.

Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.

 Carmen Maria Machado (USA)

Her Body and Other Parties (Serpent’s Tail / Graywolf Press)

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women’s lives and the violence visited upon their bodies.
A wife refuses her husband’s entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store’s prom dresses. One woman’s surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella “Especially Heinous,” Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.
Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.


Gwendoline Riley (UK)


First Love (Granta) 

Neve is a writer in her mid-30s married to an older man, Edwyn. For now they are in a place of relative peace, but their past battles have left scars. As Neve recalls the decisions that led her to this marriage, she tells of other loves and other debts, from her bullying father and her self-involved mother to a musician who played her and a series of lonely flights from place to place.Drawing the reader into the battleground of her relationship, Neve spins a story of helplessness and hostility, an ongoing conflict in which both husband and wife have played a part. But is this, nonetheless, also a story of love?

 Sally Rooney (Ireland)

Conversations With Friends (Faber & Faber)

Frances is twenty-one years old, cool-headed and observant. A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend. When they are interviewed and then befriended by Melissa, a well-known journalist who is married to Nick, an actor, they enter a world of beautiful houses, raucous dinner parties and holidays in Provence, beginning a complex ménage-à-quatre. But when Frances and Nick get unexpectedly closer, the sharply witty and emotion-averse Frances is forced to honestly confront her own vulnerabilities for the first time.

 Emily Ruskovich (USA)

Idaho (Vintage – Chatto & Windus)

One hot August day a family drives to a mountain clearing to collect birch wood. Jenny, the mother, is in charge of lopping any small limbs off the logs with a hatchet. Wade, the father, does the stacking. The two daughters, June and May, aged nine and six, drink lemonade, swat away horseflies, bicker, sing snatches of songs as they while away the time. 

But then something unimaginably shocking happens, an act so extreme it will scatter the family in every different direction.

Gabriel Tallent (USA)
My Absolute Darling (4th Estate / Riverhead Books)


‘You think you’re invincible. You think you won’t ever miss. We need to put the fear on you. You need to surrender yourself to death before you ever begin, and accept your life as a state of grace, and then and only then will you be good enough.’
At 14, Turtle Alveston knows the use of every gun on her wall;
That chaos is coming and only the strong will survive it;
That her daddy loves her more than anything else in this world.
And he’ll do whatever it takes to keep her with him.
She doesn’t know why she feels so different from the other girls at school;
Why the line between love and pain can be so hard to see;
Why making a friend may be the bravest and most terrifying thing she has ever done
And what her daddy will do when he finds out …
Sometimes strength is not the same as courage.
Sometimes leaving is not the only way to escape.
Sometimes surviving isn’t enough.

There are som really interesting looking books there, I do not envy the judges picking from that lot! 

The winner will be announced on 10th May. Follow @dylanthomprize and the hashtag #IDTP18 on twitter for more information 

Publisher Profile – Eland

For me, independent publishers are the people in the industry who are prepared to take risks on new authors and books where the larger players either don’t wish to venture, or where they can’t see there being a return on. Each month in 2018 I am aiming to highlight some of my favourite independent publishers, along with some of their books that I have loved and also to have someone from the publisher answer a few questions. This month is the turn of Eland.


One of my favourite non-fiction genres is travel writing, so much so that I usually read around twenty to thirty books a year. To have a publisher that only focuses on travel books is a little like heaven for me. Named after the name of a misremembered elk, Eland’s primary focus is finding the obscure and normally unknown texts by writers that are wry, humane, tragic, lyrical, universal, funny and idiosyncratic and intelligently written, but most of all they need to sum up a sense of place. Their cream and rich red branded books are slightly taller than the others on the shelf, making them stand out when I am browsing through the travel sections of a bookshop. I am even doing a personal challenge to read a travel book from every country around the world, called The World From My Armchair Challenge; there are, as you’d imagine, a number of Eland titles on the list.

Not only do they have over 100 classic titles in their catalogue, but they occasionally commission books for their series called Eland Originals. They were generous enough to send me one from that list that was published in 2017, Travels in a Dervish Cloak. This fantastic book by Isambard Wilkinson tells of his travels around Pakistan, seeing how life was for the people in the places he visited and seeing how paganism still flourishes under a thin veneer of Islam in the wilder parts of the country. 
Another classic that was reprinted last year is The Forgotten Kingdom by Peter Goullart. This describes in intimate detail the time that the Russian author spent in the Nakhi Kingdom of south-west China and is such a brilliant book. There are a couple of authors that are key to their catalogue, one is Dervla Murphy, the Irish travel writer famous for cycling from Ireland to India. The other is Norman Lewis, a prolific writen of fiction and travel books, and whose Naples ’44 is one of Levison Woods must read books; which reminds me… I have read The Goddess in the stones, a fascinating journey wall away from the tourist routes around the state of Bihar. Warrior Herdsmen is Elizabeth Marshall Thomas’ account of living with the Dodoth cattle-herdsmen in Northern Uganda. It is closer to anthropology than travel, but fascinating nonetheless.

Mustn’t forget too their ‘Through Writers Eyes’ series of books. These are collected and curated works of fiction, poetry and non-fiction about different places and countries. They are an excellent publisher, and Barnaby Rogerson was kind enough to answer some of my questions below on behalf of Eland

Can you tell me a little about the history of Eland?

Eland was started thirty-six years ago by John Hatt in a fury that none of the publishers he contacted were interested in reprinting Norman Lewis’s book about Vietnam, Dragon Apparent.  A book which if read could have informed any US politician about the likely end result of the Vietnam War.  On the back of this venture, he was later employed as the travel editor of Harpers Bazaar, which put him in an ideal position to travel and test out the best books on the ground.  


I must have written him a fan letter (in green ink) whilst still a history student, but instead of binning it, he invited me for tea on the strict understanding that he was never going to employ me.  I later became a writer of guide-books and a jobbing travel journalist and tour guide, so we kept in touch.  After 20 years running the business, he wanted to get out, having made a fortune from setting up cheapflights.com which also nearly killed him with overwork. 

How is the company organised today and how many people work for you?

Eland is passionately independent and is entirely owned by its three directors, has no other shareholders, and (at the moment) no debt. It takes no subsidies from the UK or any other government or pressure group. It is currently run by a husband and wife team (Barnaby Rogerson and Rose Baring) in an attic (a three storey walk-up above a popular London street market) who make use of a dozen skilled freelancers who either work from home or pop in once a week or once a month and hot desk in this attic while we feed them cups of tea.  The freelance sales force in the UK is supplied by PGUK, the physical books are stored (and invoiced) by the incredibly efficient GBS/TBS.  There is a network of freelance reps for our various foreign territories plus two stock holding distributors in AUS and the USA.  We also sell to individual readers through our own website, which though it only achieves a tiny 3% fraction of our turn-over helps keep us in touch with our customer base. 

What is the company philosophy when it comes to selecting for your catalogue?


We can never quite define what we are looking for until we stumble across it but it needs to be observant of others, capable of summing up a spirit of a place and catching the moment on the wing– aside from such everyday literate skills as being funny, wry, intelligent, humane, universal, self-deprecating and idiosyncratic – plus the whole book has to be held together by a page-turning gift for story-telling. Increasingly we look for travel books that are not defined by heroic adventures but the ability to listen (and maybe understand) other cultures – ‘anthropology lite’. 

How do you go about choosing the titles to be included in your portfolio?

Eland is essentially a co-operative of passionate readers.  Some of our best book suggestions come from our customers, who write in by postcard, letter or e-mail  (typically listing half a dozen books that they adore about one region and that we do publish) then casually mention “but why not this as well”.  This happened yesterday for instance.  Our other principal sources of information come from the well-read staff who run bookshops and of course writers.    

Tell me about your process after selecting a book for publicationhow much effort goes into the design of the book, for example, the cover design, font selection and so 
on?

Sometimes it takes a year to find the right image. We pride ourselves on getting the mood right for the cover of an Eland book, and have a loose rule of thumb that fiction can be best expressed by a painting and fact by a period photograph.  Various versions of a cover get created, pinned to the wall, then after a bit you find the most appropriate one.


Are there any up and coming books that you are publishing soon that we need to look out for?

We are thrilled that we have recently acquired the entire back-list of one of the greatest post-war British writers, due to a supportive literary agent who admires what we do. In May 2018 we will release Jonathan Raban’s Old Glory, Arabia: Through the Looking Glass, Hunting Mr Heartbreak, Coasting and For Love & Money.  He is wise, irreverent, clever, wicked and funny. 



What debut authors are you publishing this year?

None. In 2018 we are back to our principal role of reprinting travel classics, which will however include the first English language publication of the iconic French travel-writer Nicolas Bouvier’s Selected Works.

How did you come across them?

My wife, Rose Baring, who reads in French and Russian, discovered Bouvier.

What title of yours has been an unexpected success?

The Road to Nab End by William Woodruff.  

What would you say were the undiscovered gems in your catalogue?

Some of our publishing rivals/friends would say half the Eland list! But off the top of my head – Warriors by Gerald Hanley, Peking Story by David Kidd, Living Poor by Moritz Thomsen, People of Providence by Tony Parker





How do you use social media for promoting books and authors?

Our publicist Stephanie Allen, who used to work at John Murray and helps run the Literary Magazine Slightly Foxed, has led the way.  Getting us to send out quarterly chatty newsletters (that do not endlessly try to flog our books), which she then supported by setting up an Eland Facebook page, then twitter, then instagram.  Her recent round of energy has been connecting Eland up to the fascinating world of freelance literary bloggers (whose motivation is often very similar to that of Eland).  Beside this we continue with traditional means like drinks parties, launch parties, lecture, pop-up shops, not to mention sending books out to review to the print medium of magazines and newspapers.  

Is working with book bloggers becoming a larger part of that process now?

Yes, there seems to be a natural and immediate sympathy between the thoroughly independent nature of Eland and the world of book blogging

What book do you wish you had first published?

Lords of the Atlas by Gavin Maxwell, which we now have on our list – even though I know he was in many ways a total monster, as revealed by Douglas Botting’s biography – which we reprinted last year !  

What does the future hold for Eland ?

After 36 years of work, we have now built up the Eland backlist to over 145 titles, which you can have a look at on the website.   So Eland has now probably become the world’s leading independent publisher of classic travel.   There are at least three dozen travel books which I would like to add to the list right NOW, but we like to work within our own capacity and budget.  So there is no immediate danger of scraping the barrel. 

We now have probably just as many travel books written by women as men, but the next challenge will be to expand out of our Anglo-American identity and start including much more of the world.  We got a great kick out of translating Evliya Celebi’s travels, and showing the world a 17th-century version of Orhan Pamuk, an Ottoman Bruce Chatwin.



Thank you to Barnaby and Steph for taking time out of their hectic schedules to answer those questions for me. I really appreciate it. Eland’s books are available from all good bookshops and their most recent catalogue can be seen here. I would urge you to buy them from an independent bookshop if you can as this support them, the publisher and of course the author with one purchase. 

Previous Publisher Profiles:



Review: The Gathering Tide: A Journey Around the Edgelands of Morecambe Bay

The Gathering Tide: A Journey Around the Edgelands of Morecambe Bay The Gathering Tide: A Journey Around the Edgelands of Morecambe Bay by Karen Lloyd
My rating: 4 of 5 stars

Mention of the name Morecambe and most people will think of the late great Eric Morecambe. But it is also a town on the west coast of England, and a huge bay. This 310sq km natural feature shot to fame back in 2004 after a number of Chinese cockle pickers drowned after the tide swept in. It is a treacherous place, full of shifting channels, quicksands and rivers that can change course by six, yes six miles within 24 hours. The quicksands have been known to swallow vans and tractors amongst other things and even today it still claims lives.

However, this deadly bay is also a place of rare beauty and a haven for wildlife and ironically one of the best ways to experience it is on foot around and across the bay. Crossing here by foot could be the last thing that you ever did if it wasn’t for locals who know the sands like the back of their hands. The Queen’s Guide to the Sands is a role that was created in 1548 and takes years of experience to learn the way that the sands shift every day. At the moment he has no successor and it is a knowledge that could be lost forever if no one steps up.

The Gathering Tide is Karen Lloyd’s journey around and across this dynamic sea and landscape. Her evocative writing weaves together the physical journey on and around the sands, across the dunes and out to the islands and one kingdom, that poke their heads above the 10m tides. There are glimpses back into her past, fond memories of growing up in the area and meeting up with people whose livelihood depends on this coastline. A chance meeting with a friend that she hadn’t seen for a long while opens the memories once again as they catch up with events that had happened in their lives. This is a thoroughly enjoyable read of a coastline whose beauty belies the deadly effect of the tides.

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Review: Ground Work: Writings on People and Places

Ground Work: Writings on People and Places Ground Work: Writings on People and Places by Tim Dee
My rating: 5 of 5 stars

A copy of this was provided free of charge from the publisher in return for an honest review.

Over the past thirty years, Common Ground has sought to link the places to the people that live in them. Formed by Sue Clifford, Angela King and the late writer Roger Deakin, with the intention of bringing together arts and environmental interests and engaging local responses to those places on a daily basis. They have instigated events like Apple Days and been the driving force for those creating community woodlands. They are a brilliant charity that deserves more recognition, and the batten, or should I say hazel pole, has been passed to the safe hands of Adrian Cooper and Gracie Burnett of the fantastic Little Toller.

In Ground Work, Tim Dee has collated the thoughts and observations of thirty-one of the finest landscape and natural history writers around. This poetic and literary collection is the response to the threat that is being posed by the ‘soft-skinned, warm-blooded, short-lived, pedestrian species’ that has turned our present day into a new epoch; the Anthropocene. This new era is already causing chaotic changes to our weather systems, there is the steady creep upwards in average temperature across the globe as well as significant and it some cases catastrophic changes to our environments.

The authors that have contributed to this collection include some of my favourites, Paul Farley, Fiona Sampson, Mark Cocker, Helen MacDonald, Adam Nicolson and Richard Mabey to name but a few. There are others that I have read a little of like John Burnside and a number that I have never come across before, such as Julia Blackburn and Sean Borodale. They were free to write about anything they chose, so not only do we have an amazing vein of prose from some of the best nature and landscape writers around, but they have given us a raft of different perspectives from places all around the world that are significant to them. The subjects are diverse too, there are musings on art, bridges, bees, sculpture, memories of childhood, fossils and the rapidly declining cuckoo. We travel from the high Arctic to an English woodland, allotments and summer meadows, post-industrial beaches to a desert road.

Rooted deep in the principles of Common Ground, this is a celebration of our how own local area can define us as much as our DNA and education, themes that are picked up in the fantastic 21st Century Yokel by Tom Cox. All the way through the various essays, you feel the comforting presence of Roger Deakin encouraging us to discover and explore our local patch regardless of whether it is an SSSI, a local park or an eerie holloway. This book goes a long way to addressing the way that some people consider that scouring their local area of anything natural makes them more human; it doesn’t, it makes us all less human. This is a fine companion volume to Arboreal, which is another Common Ground inspired work as a tribute to Oliver Rackman and the vital part that woodlands play in our well being. A truly excellent book.

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Wellcome Prize Shortlist

People who follow me on here (thank you all) know that I read a lot of non-fiction. I have a particular interest in travel, natural history and science. The Wellcome Book Prize is an annual award, open to new works of fiction or non-fiction with a central theme that engages with some aspect of medicine, health or illness. This can cover many genres of writing – including crime, romance, popular science, sci-fi and history. By highlighting the best books with these themes that will affect us in some way throughout our lives, the Wellcome Trust aims to spark debate and interest around the variety of topics.
The longlist was announced on the 8th February and had the following 12 titles on it, two of which I had read. My predictions as to what was going to be on the shortlist are in bold (which is seven I know!):
To Be a Machine: Adventures among cyborgs, utopians, hackers, and the futurists solving the modest problem of death by Mark O’Connell

Stay With Me by Ayọ̀bámi Adébáyọ̀

The Butchering Art: Joseph Lister’s quest to transform the grisly world of Victorian medicine by Lindsey Fitzharris

With the End in Mind: Dying, death and wisdom in an age of denial by Kathryn Mannix

Mayhem: A memoir by Sigrid Rausing

The Vaccine Race: How scientists used human cells to combat killer viruses by Meredith Wadman

In Pursuit of Memory: The fight against Alzheimer’s by Joseph Jebelli

Plot 29: A memoir by Allan Jenkins

The White Book by Han Kang

Midwinter Break by Bernard MacLaverty

I Am, I Am, I Am: Seventeen brushes with death by Maggie O’Farrell

Behave: The biology of humans at our best and worst by Robert Sapolsky

Yesterday the shortlist was announced and the following six had made it to the next stage:

Stay With Me By Ayọ̀bámi Adébáyọ̀

Canongate Books

Yejide is hoping for a miracle, for a child. It is all her husband wants, all her mother-in-law wants, and she has tried everything. But when her relatives insist upon a new wife, it is too much for Yejide to bear.

Unravelling against the social and political turbulence of 1980s Nigeria, Stay With Me is a story of the fragility of married love, the undoing of family, the power of grief, and the all-consuming bonds of motherhood. It is a tale about the desperate attempts we make to save ourselves, and those we love, from heartbreak.

Ayọ̀bámi Adébáyọ̀ (30, Nigeria) stories have appeared in a number of magazines and anthologies, and one was highly commended in the 2009 Commonwealth Short Story Prize. She holds BA and MA degrees in Literature in English from Obafemi Awolowo University, Ife. She also has an MA in Creative Writing from the University of East Anglia, where she was awarded an international bursary for creative writing. She has been the recipient of fellowships and residencies from Ledig House, Hedgebrook, Sinthian Cultural Institute, Ebedi Hills, Ox-Bow School of Arts and Siena Art Institute. She was born in Lagos, Nigeria. In 2017 Stay With Me, her debut novel, was shortlisted for the Baileys Womens Prize for Fiction.

The Butchering Art: Joseph Lister’s quest to transform the grisly world of Victorian medicine By Lindsey Fitzharris

Allen Lane, Penguin Press

The story of a visionary British surgeon whose quest to unite science and medicine delivered us into the modern world – the safest time to be alive in human history

Victorian operating theatres were known as ‘gateways of death’, Lindsey Fitzharris reminds us, since half of those who underwent surgery didn’t survive the experience. This was an era when a broken leg could lead to amputation, when surgeons often lacked university degrees, and were still known to ransack cemeteries to find cadavers. While the discovery of anaesthesia somewhat lessened the misery for patients, ironically it led to more deaths, as surgeons took greater risks. In squalid, overcrowded hospitals, doctors remained baffled by the persistent infections that kept mortality rates stubbornly high.

At a time when surgery couldn’t have been more dangerous, an unlikely figure stepped forward: Joseph Lister, a young, melancholy Quaker surgeon. By making the audacious claim that germs were the source of all infection – and could be treated with antiseptics – he changed the history of medicine forever.

With a novelist’s eye for detail, Fitzharris brilliantly conjures up the grisly world of Victorian surgery, revealing how one of Britain’s greatest medical minds finally brought centuries of savagery, sawing and gangrene to an end.

Lindsey Fitzharris (34, USA) received her doctorate in the History of Science, Medicine and Technology at the University of Oxford and was a postdoctoral research fellow at the Wellcome Institute. She is the creator of the popular website The Chirurgeon’s Apprentice, and she writes and presents the YouTube series Under the Knife. She has written for the ‘Guardian’, the Lance’, New Scientist, Penthouse and the Huffington Post, and has appeared on PBS, Channel 4, BBC and National Geographic.

With the End in Mind: Dying, death and wisdom in an age of denial By Kathryn Mannix

William Collins, HarperCollins UK

Told through a series of beautifully crafted stories taken from nearly four decades of clinical practice, her book answers the most intimate questions about the process of dying with touching honesty and humanity. She makes a compelling case for the therapeutic power of approaching death not with trepidation but with openness, clarity and understanding.

With the End in Mind is a book for us all: the grieving and bereaved, ill and healthy. Open these pages and you will find stories about people who are like you, and like people you know and love. You will meet Holly, who danced her last day away; Eric, the retired head teacher who, even with Motor Neurone Disease, gets things done; loving, tender-hearted Nelly and Joe, each living a lonely lie to save their beloved from distress; and Sylvie, 19, dying of leukaemia, sewing a cushion for her mum to hug by the fire after she has died.

These are just four of the book’s thirty-odd stories of normal humans, dying normal human deaths. They show how the dying embrace living not because they are unusual or brave, but because that’s what humans do. By turns touching, tragic, at times funny and always wise, they offer us illumination, models for action, and hope. Read this book and you’ll be better prepared for life as well as death.

To Be a Machine: Adventures among cyborgs, utopians, hackers, and the futurists solving the modest problem of death By Mark O’Connell

Granta Books

What is transhumanism? Simply put, it is a movement whose aim is to use technology to fundamentally change the human condition, to improve our bodies and minds to the point where we become something other, and better, than the animals we are. It’s a philosophy that, depending on how you look at it, can seem hopeful, or terrifying, or absurd. In To Be a Machine, Mark O’Connell presents us with the first full-length exploration of transhumanism: its philosophical and scientific roots, its key players and possible futures. From charismatic techies seeking to enhance the body to immortalists who believe in the possibility of ‘solving’ death; from computer programmers quietly re-designing the world to vast competitive robotics conventions; To Be a Machine is an Adventure in Wonderland for our time. To Be a Machine paints a vivid portrait of an international movement driven by strange and frequently disturbing ideas and practices, but whose obsession with transcending human limitations can be seen as a kind of cultural microcosm, a radical intensification of our broader faith in the power of technology as an engine of human progress. It is a character study of human eccentricity, and a meditation on the immemorial desire to transcend the basic facts of our animal existence – a desire as primal as the oldest religions, a story as old as the earliest literary texts.A stunning new non-fiction voice tackles an urgent question… what next for mankind?

Mark O’Connell (38, Ireland) is a journalist, essayist and literary critic from Dublin. He is a books columnist for Slate, a staff writer at The Millions, and a regular contributor to the New Yorker’s Page-Turner blog and the Dublin Review; his work has been published in the New York Times Magazine, the New York Times Book Review and the Observer.

Mayhem: A memoir by Sigrid Rausing

Hamish Hamilton, Penguin Books

A searingly powerful memoir about the impact of addiction on a family

In the summer of 2012 a woman named Eva was found dead in the London townhouse she shared with her husband, Hans K. Rausing. The couple had struggled with drug addiction for years, often under the glare of tabloid headlines. Now, writing with singular clarity and restraint the editor and publisher Sigrid Rausing, tries to make sense of what happened to her brother and his wife.

In Mayhem, she asks the difficult questions those close to the world of addiction must face. ‘Who can help the addict, consumed by a shaming hunger, a need beyond control? There is no medicine: the drugs are the medicine. And who can help their families, so implicated in the self-destruction of the addict? Who can help when the very notion of ‘help’ becomes synonymous with an exercise of power; a familial police state; an end to freedom, in the addict’s mind?’

Sigrid Rausing (56, Sweden/UK) is the editor of Granta magazine and the publisher of Granta Books. She is the author of two previous books: ‘History, Memory, and Identity in Post-Soviet Estonia’ and ‘Everything is Wonderful’, which was shortlisted for the Royal Society of Literature Ondaatje Prize. She is an Honorary Fellow of the London School of Economics and of St Antony’s College, Oxford. She lives in London.

The Vaccine Race: How scientists used human cells to combat killer viruses By Meredith Wadman

Doubleday, Transworld

Until the late 1960s, tens of thousands of American children suffered crippling birth defects if their mothers had been exposed to rubella, popularly known as German measles, while pregnant; there was no vaccine and little understanding of how the disease devastated fetuses. In June 1962, a young biologist in Philadelphia, using tissue extracted from an aborted fetus from Sweden, produced safe, clean cells that allowed the creation of vaccines against rubella and other common childhood diseases. Two years later, in the midst of a devastating German measles epidemic, his colleague developed the vaccine that would one day wipe out homegrown rubella. The rubella vaccine and others made with those fetal cells have protected more than 150 million people in the United States, the vast majority of them preschoolers. The new cells and the method of making them also led to vaccines that have protected billions of people around the world from polio, rabies, chicken pox, measles, hepatitis A, shingles and adenovirus.

Meredith Wadman’s masterful account recovers not only the science of this urgent race, but also the political roadblocks that nearly stopped the scientists. She describes the terrible dilemmas of pregnant women exposed to German measles and recounts testing on infants, prisoners, orphans, and the intellectually disabled, which was common in the era. These events take place at the dawn of the battle over using human fetal tissue in research, during the arrival of big commerce in campus labs, and as huge changes take place in the laws and practices governing who “owns” research cells and the profits made from biological inventions. It is also the story of yet one more unrecognized woman whose cells have been used to save countless lives.

With another frightening virus imperiling pregnant women on the rise today, no medical story could have more human drama, impact, or urgency today than The Vaccine Race.

Meredith Wadman MD (57, USA/Canada) has a long profile as a medical reporter and has covered biomedical research politics from Washington, DC, for 20 years. She has written for Nature, Fortune, the New York Times and the Wall Street Journal. A graduate of Stanford University and the Columbia University Graduate School of Journalism, she began medical school at the University of British Columbia and completed medical school as a Rhodes Scholar at the University of Oxford. She is an Editorial Fellow at New America, a DC think-tank.

It is really good to see so many female authors on the long and shortlists, but which is going to win though? Not sure yet, as I haven’t read them all, but I am on the shadow panel for this with Annabel GaskellClare Rowland and Dr. Laura Tisdall  which is being hosted by Rebecca Foster. We are all going to be reading them all and will reveal our choice nearer the time. Tell me what you have read and liked in the comments below.

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